As a once-upon-a-time-ago student of Competitive Dressage, this term is very familiar. As a student of Classical Dressage this term is foreign. But why? Do you know what “on the bit” means? Can you put it into words? What does being “on the bit” do for you and your horse? What does it lead to?
In a perfect world the horse is connected to us through the reins, meaning that the contact we’ve established on the reins serves as the ultimate communication tool. There is no tension, simply touch and with it the power to execute energy through the horse at a moments notice.
This topic not only keeps showing up in front of me, but is something I feel could use the help of all possible until it has been fully recognized and eradicated. Besides, I found that there is a petition to impose a 2-finger noseband looseness rule to the FEI, which would prevent riders from crank-noseband tying their horse’s mouth shut. Perhaps this would inspire rider’s to seek out education and learn how to use their aids? Let’s hope so… 
More progress is being made on the front for the ASPIRE TRP Benefit Ride come October 4 in Waterloo, Iowa. I have been racking my brain on creating the right outfit for the music I’ve chosen and the impression that I want to give, and with some much needed help from my mom I think we have found a winner.
It isn’t because I love picking on competitive Dressage, it is because it is prevalent in competitive Dressage since it is right in front of us, that I can point to the examples so easily seen. False forms of collection abound in every arena however, and it isn’t because it is more fun to fake it, but often because we don’t know what to look for, how to recognize when that fun movement isn’t really what we thought it was, and not sure how else to train the horse.
I work a lot in metaphors, it helps my mind connect ideas and make sense of theories that may otherwise leave me in the dark. So, this is how I’m going to compare collection in the sense of competitive dressage… a bit like a weight lifter bench pressing weights that are inflated with air. Sure, it might look like he is lifting 300 pounds and his muscles are certainly flexed, he has some sweat upon his brow… but there is something missing and that is the reality of the weight, the action, the exercise. It looks like a bench press and acts like a bench press, but is he really lifting any weight? No.
What we see in the competitive arena are collected movements that look like collection, act like collection, are called collection and scored as though they are collection, but there is that vital thing missing – the reality of collection.
Let’s think a bit about the individual movements that are a result of collection : Piaffe, Passage, Canter Pirouette, Flying Changes, Collected Canter, Collected Walk, Extended Trot. Collection unfortunately is often mistaken as being synonymous with slow or short. We see many variations on these different movements and instead of writing a giant article, I think instead I will pull a collection of pictures together and make comments. I like the way my brain functions with visual interaction…
