If you haven’t been ‘in the know’ regarding the latest assualt on horses and the sport of dressage thanks to Patrik Kittel aboard his horse Stanic at the World Cup Qualifier this will hopefully fill you in a bit more.
As a once-upon-a-time-ago student of Competitive Dressage, this term is very familiar. As a student of Classical Dressage this term is foreign. But why? Do you know what “on the bit” means? Can you put it into words? What does being “on the bit” do for you and your horse? What does it lead to?
Perhaps fitting, yesterday was my birthday, and I was born in the year 1984… the same year that Reiner Klimke scored the Olympic Gold Medal aboard his Westfalian gelding, Ahlerich. Here is a tempting video, highlighting their victory lap at the Olympic Games.
It isn’t because I love picking on competitive Dressage, it is because it is prevalent in competitive Dressage since it is right in front of us, that I can point to the examples so easily seen. False forms of collection abound in every arena however, and it isn’t because it is more fun to fake it, but often because we don’t know what to look for, how to recognize when that fun movement isn’t really what we thought it was, and not sure how else to train the horse.
I work a lot in metaphors, it helps my mind connect ideas and make sense of theories that may otherwise leave me in the dark. So, this is how I’m going to compare collection in the sense of competitive dressage… a bit like a weight lifter bench pressing weights that are inflated with air. Sure, it might look like he is lifting 300 pounds and his muscles are certainly flexed, he has some sweat upon his brow… but there is something missing and that is the reality of the weight, the action, the exercise. It looks like a bench press and acts like a bench press, but is he really lifting any weight? No.
What we see in the competitive arena are collected movements that look like collection, act like collection, are called collection and scored as though they are collection, but there is that vital thing missing – the reality of collection.
Let’s think a bit about the individual movements that are a result of collection : Piaffe, Passage, Canter Pirouette, Flying Changes, Collected Canter, Collected Walk, Extended Trot. Collection unfortunately is often mistaken as being synonymous with slow or short. We see many variations on these different movements and instead of writing a giant article, I think instead I will pull a collection of pictures together and make comments. I like the way my brain functions with visual interaction…
The Piaffe
What are the purposes of enclosing the horse’s mouth in Dressage or English riding? The employ of a tightened caveson, or flash, or other arrangement of noseband in the riding of the horse has long been purported as necessary to help the horse accept the pressure on the bit. To help develop the horse’s mouth. But what does it truly support?
This leads me to think of an action talked about recently about stopping the horse in a way not necessarily understood as to it’s working but that it does in fact work. To raise one rein upwards and taking the other directly back. It has been rolling through my thoughts unable to pin down exactly what I know it’s usefulness derived from, until yesterday. I was working with my lovely gelding, Tanjobi, when I thought I would experiment with it some. Not using it in quite the same way, while the direction of the reins was the same, the pressure was that of experimental value (read – very light). The action opens the horse’s mouth. It breaks the clenching resistance that comes when a horse attempts to run away with the rider. When the horse locks the mouth, grabs the bit, and runs. It also combines the elevation element inherent to the half halt.
