It isn’t because I love picking on competitive Dressage, it is because it is prevalent in competitive Dressage since it is right in front of us, that I can point to the examples so easily seen. False forms of collection abound in every arena however, and it isn’t because it is more fun to fake it, but often because we don’t know what to look for, how to recognize when that fun movement isn’t really what we thought it was, and not sure how else to train the horse.
I work a lot in metaphors, it helps my mind connect ideas and make sense of theories that may otherwise leave me in the dark. So, this is how I’m going to compare collection in the sense of competitive dressage… a bit like a weight lifter bench pressing weights that are inflated with air. Sure, it might look like he is lifting 300 pounds and his muscles are certainly flexed, he has some sweat upon his brow… but there is something missing and that is the reality of the weight, the action, the exercise. It looks like a bench press and acts like a bench press, but is he really lifting any weight? No.
What we see in the competitive arena are collected movements that look like collection, act like collection, are called collection and scored as though they are collection, but there is that vital thing missing – the reality of collection.
Let’s think a bit about the individual movements that are a result of collection : Piaffe, Passage, Canter Pirouette, Flying Changes, Collected Canter, Collected Walk, Extended Trot. Collection unfortunately is often mistaken as being synonymous with slow or short. We see many variations on these different movements and instead of writing a giant article, I think instead I will pull a collection of pictures together and make comments. I like the way my brain functions with visual interaction…




